Editing Car Sounds with Pole Libraries
We got an email from John Sawa, supervising sound editor, currently editing sound effects on a Netflix series:
I’ll be honest, I don’t usually look forward to cutting vehicle SFX in my day to day work, but the way you guys at Pole Production record and organize your material in your sessions… game changer! I don’t want to cut cars any other way than this!
Thanks for the very encouraging words, John!
